On All The Ways I Loved The Red Dragon Trailer…
It’s official. I’m completely bugged out. And how do I know I’m bugged out? Because earlier, after waking up and needing another “fix”, I found myself glued to the Hannibal trailer again, on my laptop using my earbuds, with the sounds of kids and TV and tablet in the background just fading out. I was once again mesmerized to such a degree that when Hubby tapped me on the shoulder to ask if I’d like some bacon and eggs, I jumped out of my skin and yelped! Much to the amusement of Hubby and kids, LOL.
Last night, when I first watched the exquisitely done trailer for the 6 episode Red Dragon Arc that will conclude Hannibal‘s run on NBC, the closest word to describe my initial reaction was electrified. Although it was past 10pm when I first watched the trailer, and prior to watching it, I was exhausted and intending to go to bed early, this incredible footage of Richard Armitage embodying the complex character of Francis Dolarhyde acted like a triple shot of espresso into my system and suddenly, there was no question of me going to bed early. I watched it repeatedly, reveling in it, really, just addicted to everything about it.
As I said after viewing the first 2 episodes of Hannibal S1 the same day that Richard’s Dolarhyde casting was announced: “stylistically, the show is very different from anything I’ve seen Armitage do, and it will be fascinating to watch not only his portrayal of the sick fiend that is Francis Dolarhyde, but the incorporation of Armitage into the overall composition and feel of this series is going to be completely new and different.” Well, based on what I’ve seen in this trailer… I’m not going to be disappointed. I loved the musical accompaniment to the footage, especially in the initial series of shots as they introduced Dolarhyde- the cinematography and quirky percussion-driven soundtrack was simultaneously beautiful and jarring, just drawing me into the character, conveying his unique dichotomy of shyness/vulnerability and fierceness/intensity that makes the character so compelling and so terrifying. “Do you see me now? Yes. Do you feel me now? Yes.” I see him, and feel him, in the gut. In an instinctual way that Hannibal is so brilliant at accomplishing through some voodoo combination of artistically irresistible visuals and visceral musical score.

This little startle, this endearing vulnerability, as Reba reaches out to touch his face. Remember, this is the man whose earliest knowledge led him to believe his own name was Cunt-Face when he was at the orphanage. And here it is. This. A brief glimpse of that back story in a facial expression. A perfect little taste of that Armitage brilliance.
So unable to sleep, I decided to start making Francis Dolarhyde gifs (I did THIRTY!) last night, and when I started studying the gifs, and playing with the light settings, I was blown away by the subtleties of facial expression and body language. If I didn’t know by now that Richard Armitage can inhabit a character and become that character completely, just several minutes of footage of his work here would have convinced me, and should convince anyone, of his astounding “immersion” capabilities. I can’t tell you how eager I am for more of this, despite the dark and creepy atmosphere and the knowing I have that the journey is likely to be both heartbreaking and terrifying. If the trailer can have me on the edge of my seat and bugged out completely, what will 6 full episodes be like? Prepare to be overwhelmed!
Another wonderful thing about this trailer was that we were able to hear shy and taciturn Francis Dolarhyde’s voice for the first time (!!!) in a few moments of dialogue. Having read the book, I’ve been aware that this would be what could make or break the character, because it’s so critical to the “vulnerability” aspect and the empathetic response that we are supposed to experience. The character was born with a severe craniofacial birth defect, and though later in life he has reconstructive surgery to repair the cleft palate, he has a persistent mild speech impediment and is extremely self-conscious about it. He is acutely aware of and feels such embarrassment over his speech patterns, especially with the “S” sounds, that he will pause and consider ways to rephrase his dialogue so as to avoid “S” sounds whenever possible. We didn’t have a lot of dialogue in this trailer, but what I did hear was absolutely spot on for my expectation of what this type of speech impediment would sound like. Only three lines of dialogue, yet I found myself falling a bit in love with that voice, because I’ve never heard Richard Armitage sound so… fragile.
The first line we hear is Francis speaking to Hannibal over the phone. The dialogue itself, when written, could be delivered in so many ways. “Dr. Lecter, I am… delighted… that you have taken an interest in me.” But Armitage’s delivery, using a very soft voice, stumbling lightly over the word “delighted” and with the slight hesitations of a deeply timid person, perfectly captures the tentative hopefulness in his voice that what he is “Becoming” would be of interest to one he admires and aspires to be… the way one might speak to a deity with whom one someday hopes to acquire equal footing.
I deliberately closed my eyes to listen to “Miss McClane, can I give you a ride home?” so as to experience it as a blind woman might… this line was delivered flawlessly when I shut my eyes and listened. He asks her so politely, yet so awkwardly, perfectly embodying a man who is entirely uncertain of himself, and completely inexperienced in any sort of attempt to engage with another human, and particularly with a woman he likes. And yet, just listening to the endearing sweetness of it as he slightly lisps over her name, I could almost feel how she would feel in that moment, because you can tell, just by his voice, that he’s overcome a struggle to get up the nerve to ask. For me, anyway, it would be very difficult to say no to him after he’s tried so bravely to overcome his own discomfort with even the idea of gallantry.

OK, so maybe there is a smile there at the beginning… but it’s definitely no kind of reassurance to see that kind of smile on a… biter.
Then came “Trust me. I’m smiling.” It starts with a whisper… and I know from the book that he was battling his inner darkness and an impulse to be vicious… so that whisper of “Trust me” is imbued with shades of darkness and internal struggle. Then his voice breaks slightly over the word “smiling” and again, that slight speech deficit. I can’t WAIT to see the rest of this scene. I was gripped in the book with fear for Reba’s safety, alone in her house with this psychopath who is more than capable of savaging her. Any woman alone with him would be in mortal danger… but her blindness, her inability to see his facial expressions as he considers his options… it’s the finest sort of suspense.
And speaking of things I can’t WAIT for…well, I couldn’t make a post about the brilliance of this trailer without acknowledging its effects upon my ovaries. WOW. The team that put together this trailer certainly didn’t stint us on drool-worthy material, did they? It’s almost as if they suspected a large contingent might be, er, anxiously awaiting an eyeful, and by all that’s heavenly, they delivered. Let’s have a grateful round of applause, shall we? For the producers, for Richard, for the slow camera panning and the quality of the footage, down to each drop of sweat and each jaw-dropping moment of the bodybuilding routine that was lavished upon us… yeah. WOW. More of that, please! I think Richard has surpassed all former levels of buffness for this role, and I we can probably all agree that there promises to be a tremendous amount of eye-candy for those willing to venture over to the dark side. =)
But if this is anything to go by, this flash of hideous monstrosity… we will be visiting a very dark and terrifying place when we go on this journey with Francis, indeed. The gif above, showing the man, is all that is attractive. Which makes this… the stuff of nightmares…. all the more discordant and repelling. What a contrast between the tentative and awkward man with the hesitant speech, the intense and powerful man with the muscular physique, and this, the repulsive face of The Dragon… all I can say is that the makeup effects and the absolute commitment to inhabiting evil by the actor here are amazing. It’s awful, and it’s awe-inspiring. He’s going to scare my pants off, and I’m not exactly sure if I’ll like it.
It looks like these last six episodes have the potential to be a tour de force by Richard Armitage. It’s entirely new ground for him, and though it’s not without trepidation, I’m entirely eager to experience it. *Gulps*