GIFFING Richard Armitage… Yahoo TV Interview GOLD!

yahoo1Was anyone else just completely charmed by the playfully expressive and cheerful Richard Armitage we saw on the Yahoo TV video the other day?

I did enjoy the verbal content, to be sure… but it was really the sight of Mr. Armitage in his sexy leather jacket, with collar askew and hair just a bit disheveled that really made an impression…





yahoo2He’s adorable! Yet I couldn’t help but giggle at the gifs as they emerged.

I really have to say that, while his answers were intelligent and showed no indication of a loss of mental acuity, he looks, well, just a bit tipsy at times.



yahoo3No, thank you, Mr. Armitage. For brightening my day with your demonstrative eyebrows, your forehead crinkles, and your bright eyes. 




yahoo4Just… too cute for words.



What’s in that drink, anyway? *snickers*



yahoo5Awwwww. Such an attentive listener.



But it’s the start of the answer that makes me giggle out loud. OMG.





yahoo6Great question, Paris. Who knew he’d self-identify as House of Slytherin?


And with such a charming and conspiratorial air. =)






yahoo7Yep. He’s a-Slither’N.









yahoo8I think I may have missed his answer. I was a little preoccupied with the four lovely thumb strokes.

And that neck.

Oh, God. With all of him.



yahoo9But these facial expressions! Seriously, this interview hit paydirt! Here we have kissable lips, wild astonishment, manly arm-crossing, then a brief flash of tongue… Hot Damn!

Ovarian overload. Seriously.



yahoo10How engaged was he? I literally want to just… jump him. In a good way.


Oh, don’t look so shocked, Mr. Armitage.  LOL



yahoo11And finally, could we please present him with colorful wheels of live stream fortune on a regular basis?


Because that’s just Richard Armitage GOLD.

On All The Ways I Loved The Red Dragon Trailer…

It’s official. I’m completely bugged out. And how do I know I’m bugged out? Because earlier, after waking up and needing another “fix”, I found myself glued to the Hannibal trailer again, on my laptop using my earbuds, with the sounds of kids and TV and tablet in the background just fading out. I was once again mesmerized to such a degree that when Hubby tapped me on the shoulder to ask if I’d like some bacon and eggs, I jumped out of my skin and yelped! Much to the amusement of Hubby and kids, LOL.

Last night, when I first watched the exquisitely done trailer for the 6 episode Red Dragon Arc that will conclude Hannibal‘s run on NBC, the closest word to describe my initial reaction was electrified. Although it was past 10pm when I first watched the trailer, and prior to watching it, I was exhausted and intending to go to bed early, this incredible footage of Richard Armitage embodying the complex character of Francis Dolarhyde acted like a triple shot of espresso into my system and suddenly, there was no question of me going to bed early. I watched it repeatedly, reveling in it, really, just addicted to everything about it.


That “Look”…. that intensity, and the cinematography of the entire scene… color me #mindblown!

As I said after viewing the first 2 episodes of Hannibal S1 the same day that Richard’s Dolarhyde casting was announced: “stylistically, the show is very different from anything I’ve seen Armitage do, and it will be fascinating to watch not only his portrayal of the sick fiend that is Francis Dolarhyde, but the incorporation of Armitage into the overall composition and feel of this series is going to be completely new and different.” Well, based on what I’ve seen in this trailer… I’m not going to be disappointed. I loved the musical accompaniment to the footage, especially in the initial series of shots as they introduced Dolarhyde- the cinematography and quirky percussion-driven soundtrack was simultaneously beautiful and jarring, just drawing me into the character, conveying his unique dichotomy of shyness/vulnerability and fierceness/intensity that makes the character so compelling and so terrifying. “Do you see me now? Yes. Do you feel me now? Yes.” I see him, and feel him, in the gut. In an instinctual way that Hannibal is so brilliant at accomplishing through some voodoo combination of artistically irresistible visuals and visceral musical score.


This little startle, this endearing vulnerability, as Reba reaches out to touch his face. Remember, this is the man whose earliest knowledge led him to believe his own name was Cunt-Face when he was at the orphanage. And here it is. This. A brief glimpse of that back story in a facial expression. A perfect little taste of that Armitage brilliance.

So unable to sleep, I decided to start making Francis Dolarhyde gifs (I did THIRTY!) last night, and when I started studying the gifs, and playing with the light settings, I was blown away by the subtleties of facial expression and body language. If I didn’t know by now that Richard Armitage can inhabit a character and become that character completely, just several minutes of footage of his work here would have convinced me, and should convince anyone, of his astounding “immersion” capabilities. I can’t tell you how eager I am for more of this, despite the dark and creepy atmosphere and the knowing I have that the journey is likely to be both heartbreaking and terrifying. If the trailer can have me on the edge of my seat and bugged out completely, what will 6 full episodes be like? Prepare to be overwhelmed!

Another wonderful thing about this trailer was that we were able to hear shy and taciturn Francis Dolarhyde’s voice for the first time (!!!) in a few moments of dialogue. Having read the book, I’ve been aware that this would be what could make or break the character, because it’s so critical to the “vulnerability” aspect and the empathetic response that we are supposed to experience. The character was born with a severe craniofacial birth defect, and though later in life he has reconstructive surgery to repair the cleft palate, he has a persistent mild speech impediment and is extremely self-conscious about it. He is acutely aware of and feels such embarrassment over his speech patterns, especially with the “S” sounds, that he will pause and consider ways to rephrase his dialogue so as to avoid “S” sounds whenever possible. We didn’t have a lot of dialogue in this trailer, but what I did hear was absolutely spot on for my expectation of what this type of speech impediment would sound like. Only three lines of dialogue, yet I found myself falling a bit in love with that voice, because I’ve never heard Richard Armitage sound so… fragile.


Love the eyelashes. They seem to flicker over words that are most difficult to enunciate.

The first line we hear is Francis speaking to Hannibal over the phone. The dialogue itself, when written, could be delivered in so many ways. “Dr. Lecter, I am… delighted… that you have taken an interest in me.” But Armitage’s delivery, using a very soft voice, stumbling lightly over the word “delighted” and with the slight hesitations of a deeply timid person, perfectly captures  the tentative hopefulness in his voice that what he is “Becoming” would be of interest to one he admires and aspires to be… the way one might speak to a deity with whom one someday hopes to acquire equal footing.



Francis does something he’s never dared to do before in his adult life… reach out to a woman.

I deliberately closed my eyes to listen to “Miss McClane, can I give you a ride home?” so as to experience it as a blind woman might… this line was delivered flawlessly when I shut my eyes and listened. He asks her so politely, yet so awkwardly, perfectly embodying a man who is entirely uncertain of himself, and completely inexperienced in any sort of attempt to engage with another human, and particularly with a woman he likes. And yet, just listening to the endearing sweetness of it as he slightly lisps over her name, I could almost feel how she would feel in that moment, because you can tell, just by his voice, that he’s overcome a struggle to get up the nerve to ask. For me, anyway, it would be very difficult to say no to him after he’s tried so bravely to overcome his own discomfort with even the idea of gallantry.



OK, so maybe there is a smile there at the beginning… but it’s definitely no kind of reassurance to see that kind of smile on a… biter.

Then came “Trust me. I’m smiling.” It starts with a whisper… and I know from the book that he was battling his inner darkness and an impulse to be vicious… so that whisper of “Trust me” is imbued with shades of darkness and internal struggle. Then his voice breaks slightly over the word “smiling” and again, that slight speech deficit. I can’t WAIT to see the rest of this scene. I was gripped in the book with fear for Reba’s safety, alone in her house with this psychopath who is more than capable of savaging her. Any woman alone with him would be in mortal danger… but her blindness, her inability to see his facial expressions as he considers his options… it’s the finest sort of suspense.


Really. Those underwear don’t leave much to the imagination. That’s artistry. *Wipes chin*

And speaking of things I can’t WAIT for…well, I couldn’t make a post about the brilliance of this trailer without acknowledging its effects upon my ovaries. WOW. The team that put together this trailer certainly didn’t stint us on drool-worthy material, did they? It’s almost as if they suspected a large contingent might be, er, anxiously awaiting an eyeful, and by all that’s heavenly, they delivered. Let’s have a grateful round of applause, shall we? For the producers, for Richard, for the slow camera panning and the quality of the footage, down to each drop of sweat and each jaw-dropping moment of the bodybuilding routine that was lavished upon us… yeah. WOW. More of that, please! I think Richard has surpassed all former levels of buffness for this role, and I we can probably all agree that there promises to be a tremendous amount of eye-candy for those willing to venture over to the dark side. =)



But if this is anything to go by, this flash of hideous monstrosity… we will be visiting a very dark and terrifying place when we go on this journey with Francis, indeed. The gif above, showing the man, is all that is attractive. Which makes this… the stuff of nightmares…. all the more discordant and repelling. What a contrast between the tentative and awkward man with the hesitant speech, the intense and powerful man with the muscular physique, and this, the repulsive face of The Dragon… all I can say is that the makeup effects and the absolute commitment to inhabiting evil by the actor here are amazing. It’s awful, and it’s awe-inspiring. He’s going to scare my pants off, and I’m not exactly sure if I’ll like it.

It looks like these last six episodes have the potential to be a tour de force by Richard Armitage. It’s entirely new ground for him, and though it’s not without trepidation, I’m entirely eager to experience it. *Gulps*

Azog’s Codpiece, and Other RAndom Musings on BOFA

Needless to say… SPOILERS BELOW!

bofa poster

My personal favorite among the many promotional posters for The Hobbit: The Battle of Five Armies

I don’t know that this is going to be so much a review, as some random thoughts on The Hobbit: The Battle of Five Armies. I’ve seen it three times, loved it even more each subsequent time, and am planning to see it at least once more in theatres. The first time, I saw it with Hubby in the 3D IMAX format (we both fully enjoyed this final installment, for those of you wondering what the Hubby’s verdict was!) and other times, I saw it by myself in a regular theatre. Although I had some minor quibbles, for the most part, it really satisfied me. I do occasionally see movies that I love more than once in the theatre, but before I developed this PreoccupationWithArmitage, I’ve limited all of my Middle Earth movies to viewing once, and always on opening weekend, in theatres, then waiting for extended versions before viewing again. So… in no particular order, here are some of my thoughts:

First, the creatures in this movie were fantastic. From the dragon down to the rabbits, the creature designs and animations were pretty freaking cool. Some of the stand-outs for me:


The Beast descends on Lake-Town.

Smaug strafing Lake-Town– I have never seen a depiction of a dragon attack that was done more beautifully and believeably. The creature design on Smaug was always fantastic- it seriously irritates and bothers me when I see a dragon concept that does not provide believable musculature and wing structure to sustain flight. This is an issue for the Hubby, as well. I’m happy to report that for the serious anatomical analysts in my household, not only did Smaug have credible anatomical features, but the animation- the undulations of flight, the wind shearing, just the quality of motion- were once again, phenomenal. I particularly loved the creature’s death throws, and the fall.


I love bunnies.

Rhosgobel Rabbits– The quality of the creatures, down to the little details- for instance, when the harness-racing rabbits came to a stop, I loved how they immediately started grooming, rolling in the grass, and doing other rabbity- behaviours.


Thranduil’s Elk- what a rack! That creature just defined nobility, and was almost as aloof and elegant as his rider.


Can’t. Look. Away.

Azog- was it just me, or did Azog almost look handsome in this movie? I mean, as orcs go… Lol. Before these movies I wouldn’t have thought a dwarf could be handsome, but how wrong was that? OK, so Azog isn’t exactly sex on a stick, but I found him rather aesthetically pleasing for an orc… he did have a certain symmetry to his features, as well as a rather better complexion than the average orc, making him handsome in the way that a really brawny pit bull is handsome. And wowzers- did anyone else find themselves sort of weirdly appreciating his codpiece? approving of his new duds? That armor he sported for the Big Battle was a step up from the tattered rags he always wore in the earlier movies.


That bad-awful orc killed Kili! Unforgivable. I wonder what Bolg’s mother looked like?

Bolg- Azog’s spawn has always been one of my favorite creature designs out of all of the Middle Earth films. Love the metal riveted in his skull, and the jagged metal protruding all over his torso, like an amalgamation of armor and flesh. It’s just a sick design! (Side note: my all time favorite creature design and portrayal is Sméagol-Gollum, though!)


Then, there were the characters. A few stood out above the rest:


Filthy, horrid man! But he kept me snickering from start to finish.

Alfrid- seriously, what a piece of toad slime he was! I’m not familiar with the actor, Ryan Gage, but what an absolutely magnetic performance. Some combination of worm-like posture, crazy eyes and that wide, mobile, rotting mouth just made me shudder with loathing. Bravo! He also delivered wonderful comic relief, when so much of the movie was disturbing, and sad. This butt-ugly character trying to avoid battle by passing for a woman in that ridiculous mob-cap, and stuffing coins into his big bosom? Loved it.


He sort of stole my heart. The cold bastard.

Thranduil- Before now, Thranduil as a character was portrayed well, but not a stand-out for me. However, in BOFA, maybe his badass elk just impressed me and made me take notice, but damn! Lee Pace delivered. Thranduil was the ultimate embodiment of cold elven elegance in all his silver and white hauteur. I really need my own cape, or even a robe would do, if it was made out of that beautiful silvery stuff. And my, but didn’t he look hot, when he smiled at Dain’s challenge on the brink of battle? (Speaking for a moment of Dain- loved that make-up design, with the boar fangs in the beard… another one PJ’s team knocked right out of the park- fabulous antithesis to Thranduil in every way!!) But back to Thranduil. He kicked some serious ass in battle, and was superb in the pre-battle scenes, as well. I loved his cool dismissal of Gandalf’s warnings, and the wry humor when he blandly asked Bard if he would really try to reason with a dwarf. I don’t know how it happened, but I fell a bit in love with Thranduil in this final film.


I can’t imagine anyone else more suited to the role of Bilbo Baggins.

Bilbo- Martin Freeman actually gives Richard Armitage a run for his money with the ability to communicate with his eyes. I think the chemistry between Thorin and Bilbo was always right on the money, and I just loved the acorn scene. Martin is also a master at subtle facial comedy. One of my favorite moments, and another moment of humor for me, was the scene with Gandalf (Ian McKellan, who also excels at subtle comedy) where Bilbo and Gandalf are sitting together after the battle, and Gandalf is tamping, tamping, tamping away on his pipe, really disrupting Bilbo’s morose moment! The best scene, though, was Thorin’s death scene. Bilbo’s despair, and every word and moan that he uttered, were so touching that I tear up even thinking about it. Watching Thorin die would be horribly hard no matter the circumstances, but the interaction between the two actors, feeding off the emotions of the other, was both the pinnacle of the film, and the lowest point for me.


Black leather, ladies. Black leather.

Thorin- of course, there was Thorin. I think he deserves his own section, because I have to agree with others who have declared that this truly was Thorin’s movie, and Richard’s triumph. His portrayal of the Dragon Sickness eerily echoed The Ring sickness, and watching those transitions, those glimpses of warmth, honor and sanity transforming into what can only be described as madness, were riveting. So, more on Thorin later.


A few things I didn’t care for:


I did like seeing how Sauron was reduced to a Ball of Burning Eye.

The Gandalf-Galadriel-Elrond-Sarumon-Wraiths-Sauron scene. I could have done without it. Then again, if Peter Jackson’s Middle Earth movies stand the test of time, and I predict they will- future generations, my children included, will likely watch in order, starting with The Hobbit and ending with LOTR, so the inclusion of these background scenes, which have been present throughout TH trilogy, are understandable from that perspective.


Kili hands his rune stone to Tauriel.

I also could have done without the entire Tauriel/Kili love affair. I didn’t hate it, but I didn’t love it, or think it added any substance to the trilogy. This is not to say that I didn’t like Tauriel- I did like her, and found her both aesthetically pleasing to look at, and quietly compelling as a character. I found the death scene with Kili moving, despite myself, and her exchange with Thranduil at the end was also to my liking.


Shame on the costume design team. So many other wins, but this one was a big FAIL.

There were a few things that didn’t make sense to me, but hopefully at least some of them will be explained and improved upon in the director’s cut. Where did Thorin’s company come by those battle mountain goats? What happened to Thorin’s battle armor? I mean, if he stripped down on the lake of gold, why weren’t we treated to that no doubt amazing sight? But why would he, if he’d just resolved to join the battle? And for heaven’s sake, of all the helmets on the dwarves, why did Thorin have to have the truly butt-ugly one??? That’s quite an accomplishment, to make that chiseled and handsome face look round and almost pig-like. (Was that intentional? Because he was acting like a creep, hogging all the gold?) Thankfully, Thorin threw that stupid thing off before he emerged in all his gorgeous, albeit armor-less, glory, ready to lead the dwarves One Last Time.


I had myself convinced this screencap from one of the trailers was a burial chamber. I was expecting a send-off for the Heirs of Durin.

Finally, and this is my biggest complaint with the film… why didn’t we get to see some kind of a funeral, or wake, in honor of Thorin Oakenshield? With the film only 2hr 35 min, when I was really expecting and anticipating closer to 3 hours, WTH were they thinking to have cut such an important and potentially amazing scene? I will say this- if it’s not in the extended edition, I will be floored.





The Great Battle Charge.

Many have said that the Battle scene was too long. I didn’t find it so, and was riveted throughout. Again, every creature, from the boar that Dain was riding, to the bats bred for war, to the goliath ugly giant troll-things, were fantastic to watch. I particularly loved some of the moments of comedy in the battle, such as when one of those enormous goblin things charged the wall and knocked himself unconscious, and when Alfrid tossed the sword like a hot potato to Bard’s son. I also loved the choreography of the battle scenes. The elves leaping over the dwarves’ shield wall to meet the orc’s charge was pretty spectacular. Thorin’s charge from inside of the mountain out onto the battle field was a truly majestic, cinematic moment. And Thorin’s battle with Azog. Just, WOW.


The artwork during the final credits was simply stunning.

And that brings me back to Thorin Oakenshield. What can I even say? It was a phenomenal performance. I’d like to think that, had I not seen North and South last April, and developed my thorough PreoccupationWithArmitage through that route, I would have come away from BOFA with the same driving fascination on the strength his performance of Thorin in this film. (I’m so thankful it didn’t happen that way, or I would have missed The Crucible, and would have yet to have made so many new connections and friendships that have so enriched my life these past months!)


That moment. When Fili is slain, and Thorin makes a sound of despair. It’s moments like these that make me want to watch the film again and again.

I absolutely adored the voice of Richard Armitage as Thorin. It was deliciously low and raspy. The way he said “Gold”- spoken like a breathless lover… the transformation of his voice to that Smaug-like quality, hoarse with Dragon Sickness and twisted, obsessive passion… the softness in his voice, when he had moments of lucidity with Bilbo… and how his voice broke, when he was speaking with Dwalin. Even the agonized sounds he made when he watched Fili executed, and when Azog delivered the mortal wound- I could rhapsodize on for hours on the voice alone.


Graham McTavish as Dwalin. I should have mentioned him above, because he did stand out for me in this movie. He broke my heart.

And that countenance. In a cast of exceptional actors, Thorin wasn’t the only one whose facial expressions spoke volumes, but I was nonetheless captivated. I know now that Armitage excels at emoting with not only his face, but every part of his body- I’ve seen it live, and I’ve seen it in film after film. It still wowed me. I absolutely adored that transformation of Thorin’s face during the acorn scene… when he first sees the acorn, his eyes almost well up, and he stares at Bilbo with a sense of wonder. We see “Our-Thorin”… that kindness, that warmth, that glimpse of sanity returned… only to have that beautiful face transform and the mask of Sick-Thorin drop over his features when the arrival of the Lake-Town survivors is announced. Another magnificent facial transformation: Thorin’s face when he realizes that Bilbo stole the Arkenstone. Disbelief, pain flickering, tears welling again, then insane fury. The Dwalin-Thorin scene, when Dwalin (performed flawlessly by Graham McTavish) tries to tell him, “You are lesser now than you have ever been”… they were both amazing in that scene. Dwalin’s sorrow and despair, Thorin’s wild swings from incapacitating fragility to lashing out in madness. But perhaps the masterclass of facial acting was in the scene all by himself, on the lake of gold. With no other actors to feed off of, this was Richard Armitage in Thorin’s head, wrestling demons, beautiful, lost and alone.


Thorin walks out from the Lake of Gold, having conquered his madness.

The Noble Thorin… Walking backlit out of the gold cavern- so hot and incredibly majestic, the warrior finally returns. I had chills, and tears in my eyes, when he asked if they will follow him, one last time. The fight with Azog on ice and rocks- I don’t know about you, but I have never seen Thorin look so hot. (Can’t go wrong with RA in black leather!) Richard displayed a stunning athleticism in the fight sequence… arching, ducking, swaying for balance- so limber. Rolling around, up/down, balancing, slipping as the ice bobbed around.


Is this not hotness, personified? I could stare at this image for hours.

They totally used that hair to good effect– when Thorin’s hair would flip up over his head and to the side, it reminded me of Hawkeye in Last of the Mohicans. But back to the battle scene with Azog… I absolutely loved that priceless face (perhaps the only moment of humor delivered on Thorin’s part) when Thorin tossed the huge block of rock on the chain to Azog, then nimbly skipped back. How I wish it had ended there!



It’s about to happen. He intentionally lets it happen. You can see it in his eyes.

But, no. Damn it, Thorin! How could you be so damnably mesmerized as to let that monster floating underfoot fool you!? The first time I watched it, I just about shouted “Watch Out!” (Thankfully, it only happened in my horrified head.) I did appreciate the battle’s conclusion, in a love-hate sort of way, when Thorin willingly sacrificed his life to defeat his mortal enemy- you can see the decision happen on his face, and it was fitting.


The final moments. The finest moments.

And finally, the Death Scene. Thorin’s final scene. As I said, it was the best scene, and the worst. The tears were streaming down my face. The Hubby squeezed my hand. I usually think of cinematography as it relates to the scenery and the geographical features of the setting, but here, there was also amazing cinematography in this very personal, up-close footage. Every time the camera angle was low, and showed the profile of the fallen king, it almost made me gasp. At the beauty of this man. I mean dwarf. Tears.


* * *

Wow- so that was a lot longer than I intended. I guess it’s a testament to how much I really did appreciate the movie. Richard should have had an Academy Award Nomination for this film. And then he should have won it.